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Fantasy Galante Antoine WATTEAU (Follower) and a Pair

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Fantasy Galante Antoine WATTEAU (Follower) and a Pair
Fantasy Galante Antoine WATTEAU (Follower) and a Pair-0
Fantasy Galante Antoine WATTEAU (Follower) and a Pair-1
Fantasy Galante Antoine WATTEAU (Follower) and a Pair-2
Fantasy Galante Antoine WATTEAU (Follower) and a Pair-4
Fantasy Galante Antoine WATTEAU (Follower) and a Pair-5
Fantasy Galante Antoine WATTEAU (Follower) and a Pair-6
Fantasy Galante Antoine WATTEAU (Follower) and a Pair-7
Fantasy Galante Antoine WATTEAU (Follower) and a Pair-8
Fantasy Galante Antoine WATTEAU (Follower) and a Pair-9
Fantasy Galante Antoine WATTEAU (Follower) and a Pair-10
Fantasy Galante Antoine WATTEAU (Follower) and a Pair-11
for sale

Detailed Description

Beautiful oil on wood panel, French School of the early nineteenth century, and a pair,
Executed by a follower of Antoine WATTEAU,
Representing a Fantasy Galante.
Beautiful frame with gilded wood channels, early nineteenth.
In excellent condition, requiring no restoration.
Dimensions 42 x 37 cm framed, 21.5 / 16 cm Panel
Very neat expedition accompanied by a Certificate of Authenticity and an Invoice.
Participation in the costs for France: 40 €, other countries of the World, thank you to ask a quotation.
Jean-Antoine Watteau, better known under the name of Antoine Watteau, born in Valenciennes on October 10, 1684 and died in Nogent-sur-Marne on July 18, 1721, is a French painter.

He is one of the creators representing the rock movement. Inspired by the commedia dell'arte, he likes to represent the theater in his paintings, whether through heavy curtains or themes. Despite a brief career of about fifteen years, he was successful in his lifetime and left a considerable work, thousands of drawings and more than two hundred paintings that the princes of Europe and private collectors wrenched . His most famous paintings are Pierrot (formerly Gilles) and his two pilgrimages to the island of Kythera.

One of the main sources of information on his life is the biography written by his friend Count Caylus.
Jean-Antoine Watteau is the second of four sons of Jean-Philippe Watteau (1660-1720), master-roofer, tile merchant, and Michelle Lardenois (1653-1727). His father, often quarrelsome, willingly drinks and is violent, probably not to spare his sons blows, which may explain the inner withdrawal of young Jean-Antoine and early phthisis, the influence of this disease found in the psyche and in the paintings of the painter.

The family of Jean-Antoine encourages early his artistic vocation. At the age of ten, he may have been apprenticed to Jacques-Albert Gérin (circa 1640 - June 7, 1702), one of the city's most famous painters, including the Valenciennes museum and churches, who still have some works, of mediocre value, in the Flemish taste. Shortly after, he goes to Paris and settles in the Saint-Germain-des-Prés district where many Flemish artists live. Without protection, without resources, he is determined to obtain it by work. First hired by a painter without a client, Métayer, who can not feed him, he goes to a manufacturer of paintings at the Pont Notre-Dame, which employs him, along with a few other apprentices, to copy, in numerous copies, religious images and genre paintings, including a Vieille Liseuse by Gérard Dou, and a Saint Nicolas, much sought after by the devotees.

While indulging in this insipid task by means of "three pounds a week and soup every day", Watteau becomes associated with the Flemish painter Nicolas Vleughels, the Antwerp painter Jean-Jacques Spoëde, a pupil of the Royal Academy, and with Claude Gillot, painter, draftsman, engraver, decorator, an inexhaustible verve and an original fantasy. Gillot, having seen some drawings or pictures of Watteau, invited him to come and stay at home. The agreement between the teacher and the pupil, which is equally lively, is not of long duration. Nevertheless, Watteau will always retain for Gillot a great recognition, because "it is at home that he managed completely," said Edme-Francois Gersaint. It is indeed with Gillot, in fact, that he takes the taste of theatrical scenes, gallant fantasies, arabesques with figurines, mythologies and antics, and that he is emboldened in his natural tendencies to observe without ceases the surrounding realities and to enjoy, as a delicate dreamer, the spectacle of worldly or rustic life. Beginning as a history painter, he will join the quarrel of the Ancients and Moderns and mark the triumph of color, the victory of the "Rubenists" (the colorists who favor the force of sensation) on the "chicks" (the designers who favor the form) represented by Roger de Piles and Charles Le Brun.

After his break with Gillot, around 1707 or 1708, he entered the studio of the decorator Claude Audran III7. In 1709, he tried the Prix de Rome but obtained only second place, which deprived him of the privilege of going to perfect his knowledge in the Academy of France in Rome. Discouraged, he goes back to work. Three years later, in 1712, he became a member of the Academy. But it was only in 1717, after five years of work, that he presented his piece of reception, the famous Pilgrimage to the island of Kythera.

The Sign of Gersaint painted towards the end of the year 1720 is the last masterpiece of Watteau. He leaves his usual pastoral setting to be located in the heart of Paris, at number 35 of Notre-Dame bridge, address of the new establishment of the merchant Gersaint with whom Watteau insisted.

antique dealer

ARTE TRES GALLERY * SAS EP NEVIAN, 13 VILLA LES ARENES (NEVIAN - France)

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