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Flower basket in the manner of Antoine MONNOYER

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Flower basket in the manner of Antoine MONNOYER
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for sale

Detailed Description

Very beautiful Oil on canvas, French School of the nineteenth century, representing a splendid floral composition in a basket on an entablature, in the manner of Antoine MONNOYER.

In excellent condition, very decorative work, beautiful golden frame to the Leaf! Important Dimensions: 81 x 71 cm framed, 66 x 56 cm at sight. Very neat expedition accompanied by a Certificate of Authenticity and an Invoice.
Participation in shipping costs for France: 100 €, other countries, thank you to request a quotation. Antoine Monnoyer, born in 1671 and died in Saint-Germain-en-Laye in 1747, is a painter of French still life. Son of Jean-Baptiste Monnoyer, great painter of flowers of the late 18th century, who worked in Versailles with Charles Le Brun, Antoine Monnoyer is essentially formed by his father.

He followed him to England, where the English Ambassador to France, Sir Ralph Montagu, had Monnoyer "father" come to decorate his hotel in Burlington, alongside Charles de La Fosse. At that time, the paintings of flowers are a great success. Antoine's apprenticeship takes place in England, in the workshops of Burlington House (Piccadilly) and Kensington Palace. After the death of his father in 1699, Antoine Monnoyer made his first stay in Rome. On his return to France, he worked at the Trianon and was received at the Academy in 1704.
In the years 1708-1710, he worked on the decoration of the Chapel of Versailles with his brother-in-law, Jean-Baptiste Blain de Fontenay. At the same time, he painted two large paintings for the castle of Meudon. After a new stay in Italy, he returned to England in 1714 and remained there until 1729, where he was documented again in Rome.

According to the current specialist Antoine Monnoyer, the artistic contribution of this painter is often poorly known or ignored. Indeed, too often confused with his father, we forget that the success of the "style Monnoyer" is more due to Antoine than Jean-Baptiste. It is thanks to the many works realized during his stay in England that this way, that he held of his father, seduced several foreign artists like Jean-Baptiste Jaspers (1620-1691) and Jan Frans Van Son (1658-1718) . On the other hand, if Antoine's art is strongly influenced by that of his father and his most talented pupil, Blain de Fontenay, we must not forget that he also departs from it and created his own characteristics.

First of all, Antoine's art differs by the method he uses. Indeed, if Jean-Baptiste painted his floral compositions directly from natural models, Antoine followed the technique used by Jacob Bogdani (1658-1724), also present in England.

He was studying his compositions by cutting out coarse forms of flowers that he stuck to a green canvas, and only then, once he had set his composition, did he paint the flowers using natural specimens. as models. Moreover, instead of focusing on the colors of flowers, her palette was more defined by the decorative needs of the painting.
On the other hand, if he takes most of the time models established by his father, he also innovates by using new varieties of flowers, including roses with colors and more sought-after forms. He also uses a very pale lavender-blue color, which is not found at his father's or at Blain's. His works can also be identified by characteristic motifs, such as the open pomegranate, often in the foreground. In the following years, he traveled to Europe, Denmark and especially Sweden around 1733. Antoine Monnoyer already shows, by his many trips to major European capitals, international artist as the eighteenth century will know so much.

antique dealer

ARTE TRES GALLERY * SAS EP NEVIAN, 13 VILLA LES ARENES (NEVIAN - France)

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