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Juan De Valdes Leal (1622-1690) Workshop In, Christ On Rosea

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Juan De Valdes Leal (1622-1690) Workshop In, Christ On Rosea
Juan De Valdes Leal (1622-1690) Workshop In, Christ On Rosea-0
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Detailed Description

Spanish school of the seventeenth century, Juan de Valdés Leal Workshop (1622-1690) Christ in the Ecce Homo or reed Rare and important framework XVIIth carved and gilded, decorated with acanthus leaves. (97cm by 78cm, 119cm by 99cm with frame) Oil on canvas and its original holder The artist performs brilliantly this classic of religious painting, although it recognizes the dramatic style of Baroque Sevillian works with a striking contrast shadow and light, emphasizing the red tunic of Christ. Born of a Portuguese father and an Andalusian mother, Valdés Leal learned his trade of painter in Cordoba in the workshop of Antonio del Castillo. He worked in the city until 1653. Over the next five years, it was divided between Cordoba and Seville, and then settled permanently in Seville in 1658. We know of other trips more than a trip to Madrid 1675 and a brief stay in Cordoba around the same date. Spirited painter, luminists fully baroque, Juan realized during his career many religious paintings for Seville and Madrid competing with Murillo. Ecce homo, Latin for "this is the man," pronounced by Pilate to designate Jesus scourged and crowned with thorns. The Passion of Christ is all suffering and torment that preceded and accompanied the death of Jesus of Nazareth.

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Caudroit Brussels, sur demande (Brussels - Belgium)

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