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Nicola Bertuzzi, the Anconetano (1710 - 1777). Historical sc

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Nicola Bertuzzi, the Anconetano (1710 - 1777). Historical sc
Nicola Bertuzzi, the Anconetano (1710 - 1777). Historical sc-1
Nicola Bertuzzi, the Anconetano (1710 - 1777). Historical sc-2
Nicola Bertuzzi, the Anconetano (1710 - 1777). Historical sc-3
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Detailed Description

Nicola Bertuzzi called l'Anconetano (Ancona, 1710 - Bologna, 1777)
Historical scene
Oil on oval canvas, 24 x 34 cm; with frame 36 x 46 cm

The canvas in question identifies the hand of Nicola Bertuzzi known as the Anconetan. Still very young from his hometown he went to Bologna, where he was a pupil of Vittorio Maria Bigari (1692 - 1776), from whom he derived the taste for a lively painting, with a quick and lively touch. In 1735 he won the first prize in the painting competition of the Accademia Clementina, of which he was later a member and several times director. In Bologna, he distinguished himself as one of the most acute and fertile interpreters of the lively season of the local barocchetto. In this oval canvas, depicting a historical scene, we highlight the typical characteristics of Bertuzzi's painting. The relaxed version is, moreover, a hallmark of his manner, characterized by the size of the easel canvas or, better still, the "sketch", a specialty that saw him competing with the most famous Venetian painters of the time. Typical of his taste, free and vibrant, are the subtle sign, the luminous palette and the distinctly theatrical narrative structures that refer to his interests for contemporary Venetian painting, from Sebastiano Ricci (1659 - 1734), to Giovan Battista Tiepolo (1696 - 1770) to Gaspare Diziani (1689 - 1767), studied from life during a stay in the lagoon. His brushstroke, so fresh and sure, characterized by the tones of a warm pictoriality that sometimes led his production to be confused with that of artists such as Giuseppe Nogari (1699 - 1763). These joyful suggestions came from him through refined neomanieristic works derived from his master Vittorio Maria Bigari and Francesco Monti (1683ca - 1768). At the Pinacoteca G. Stuard of Parma one of his Rape of Proserpina is preserved, while at the Civic Museum of Art in Modena one of his canvases depicting an Immaculate is displayed. The work is accompanied by the expertise of Prof. Egidio Martini.

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