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Portrait of Huntsman - Abraham Constantin (1785-1855)

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Portrait of Huntsman - Abraham Constantin (1785-1855)
Portrait of Huntsman - Abraham Constantin (1785-1855)-0
Portrait of Huntsman - Abraham Constantin (1785-1855)-1
Portrait of Huntsman - Abraham Constantin (1785-1855)-2
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Detailed Description

Period: Louis-Philippe Subject: Large portrait of huntsman of the nineteenth, in his complete crew livery. Dark green velvet frock coat, red Bordeaux waistcoat, hunting trunk in place, dagger with deer antler handle, positioned at the waist, not to mention the tie with its horseshoe-shaped hairpin, just like cufflinks. This complete iconography is very rare in the nineteenth century, especially here around 1840. This man of about 30 or 35 years is represented in a wooded landscape has not yet been identified, but with some research on the crew liveries of hunting in the nineteenth, we could find tracks. He wears a signet ring, oddly placed on his forefinger, whose coat of arms could guide us. These same coats of arms are found in the custody of his dagger. This portrait is one of the few to be known to the painter Abraham Constantin, who sometimes signed Constant, followed by the Maltese Cross, symbol of the famous watch brand Vacheron-Constantin, whose brother will hold the reins and expand. Painter / School: Abraham Constantin (December 1, 1785 - March 10, 1855) was born in Geneva, son of Jacob Constantin, merchant, and Charlotte Elizabeth Rival. His brother and friend François led, with Jacques-Barthélemy Vacheron, the watchmaking company that still bears their names today. From the age of five, he showed a strong taste for painting, then a skill in portraits and copies of famous paintings. Admitted to a workshop working for watchmaking, he learned to paint on enamel. His departure for Paris in 1807 and the entry to the Sèvres factory put him in touch with the royal house which, in March 1826, awarded him the title of Painter on Porcelain King. The works that earned him his fame are mostly copies of works of great masters made in Florence, where he lived from 1820 to 1826 (under the protection of Prince de Carignan), and Rome, where he spent seven years between 1829 and 1836 and where he devoted himself, at the request of the Vicomte de La Rochefoucauld, to the porcelain copy of Raphael's frescoes. Signature / Date: Constant .. (Malta Cross) Framing and support: Original frame richly carved. Old accidents restored. Some pieces of angles are missing (see photos). Oil on original canvas, old restorations in the background and the tie. Provenance: Private collection of the center of France. Dimensions: 90 x 71 cm 122 x 101 cm for the frame.

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Ars Pictura SARL Paris, Avenue de Suffren (Paris - France)

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