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Portrait of Virgin, attr. Onorio Marinari, XVIII secolo

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Portrait of Virgin, attr. Onorio Marinari, XVIII secolo
Portrait of Virgin, attr. Onorio Marinari, XVIII secolo-0
Portrait of Virgin, attr. Onorio Marinari, XVIII secolo-1
Portrait of Virgin, attr. Onorio Marinari, XVIII secolo-2
Portrait of Virgin, attr. Onorio Marinari, XVIII secolo-3
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Detailed Description

Onorio Marinari (Florence 1627-1715), attr.

Virgin Portrait

oil on canvas, oval

carved and gilded frame.For more details visit our site up to date and full of proposals on www.antichitaischia.it
Sizes: Canvas 39 x 31 cmOval
frame 63 x 55

cmThe valuable painting in question affects to the subject and quality of execution. On a neutral background monochrome, the Madonna is represented in half figure with his face tilted and three-quarters with one hand while supporting its elegantly mantle.

Hard not to notice the extreme care in the use of the light falling on the composition wisely. A warm light but intense that allows lay eyes on her face, the clothes changing colors, on the hand, all made with meticulousness and perfection.
It is a typical work of Onorio Marinari, son of the painter Gismondo, but also studied at the prestigious school of his friend and cousin Carlo Dolci, in which he reached, within a short time, an important position, especially realizing works on esemplate original master.

The artist received the enthusiastic admiration of his contemporaries to the style fine and harmonious colors: these characteristics of a wise and measured classicism that Marinari honed over time and that derived from the custom family for painting but especially for the thumb, the 'art in which he excelled and distinguished.

Working primarily in Florence, for clients fiorentni and Tuscany, he remained throughout its production footprint faithful stylistic Dolce, operating in the name of a refined intimacy, and drawing on the tradition of half-figures in sacred theme of the famous cousin. The regular appearance of Our Lady in fact suggests an easy comparison with some of the latter work, and calls to mind the beautiful Salome with the Head of John the Baptist's private collection, or the Santa Caterina di Bolsena in Modestini collection.

A careful analysis and comparison with the works of Marinari lead back to our canvas production, recalling the characteristic aristocratic kindness and lightness of the painting, however, evolving from purely devotional painting of Sweet towards a more free and coy.

Style crystal clear that his paintings exhibit is enclosed in our wonderful oil, which are preserved all the characteristics of the painting of Marinari, the meticulous definition of every miniature detail, the chiaroscuro of Caravaggio and the strong imprint composed and elegant classicism of the face, which can not but call to mind the holy figures of Correggio.

The painting is accompanied by a beautiful wooden frame carved and gilded.

The excellent condition of the painting allow us to capture every detail, and light and dark shades of this beautiful work of art. Some small flaws in the perimeter of the painting, that does not in any way invalidate the vision, are easily fixed at the discretion of the customer.

antique dealer

Romano Ischia Riva del Garda, Viale Prati, 38 (Riva del Garda - Italy)

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