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San Pietro from the Pincio gardens - JA. Bénouville

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San Pietro from the Pincio gardens - JA. Bénouville
San Pietro from the Pincio gardens - JA. Bénouville-1
San Pietro from the Pincio gardens - JA. Bénouville-2
San Pietro from the Pincio gardens - JA. Bénouville-3
San Pietro from the Pincio gardens - JA. Bénouville-4
San Pietro from the Pincio gardens - JA. Bénouville-5
San Pietro from the Pincio gardens - JA. Bénouville-6
San Pietro from the Pincio gardens - JA. Bénouville-7
for sale

Detailed Description

Splendid oil on canvas of origin (see photo - Casa Parigina Déforge & Carpentier) with frame, in which all the technical and creative skills of the artist are brought to life in its period of greatest splendor and maturity. The play of contrasts between the delicate colors of the sunset on the St. Peter's Basilica and the cleanness of the details of the Pincio gardens sum up, wisely, in this work, a universally recognized and appreciated talent. Signed and dated lower right: "A. Bénouville Rome 1862" .

BIOGRAPHY - With his brother Francesco Léon he realized his apprenticeship in the atelier of Francesco-Édouard Picot first and then Léon Cogniet. He painted several landscapes around Paris, Compiegne and Fontainebleau, until he exhibited for the first time in 1834 at the Paris Salon. He then enrolled at the School of Fine Arts in Paris and was awarded the second prize in Rome in the category of historical landscape. In the years that followed, he went to Italy three times, one in the company of his friend and mentor Corot, with whom he formed his Roman laboratory in 1843.
In 1845 he won the Rome Prize with the canvas "Ulysses and Nausicaa." He then left for Rome, where he stayed for three years as a retiree in Villa Medici. At the end of the period granted by the prize won, Bénouville decided to stay in Italy, where he exercised his art for twenty-five years, even continuing to exhibit in the Parisian Salon. He often traveled through Italy, in the Pyrenees and in the Low Countries, until death took him to Paris in 1891.

L'OPERA - Bénouville remained faithful to the genre of the historical landscape for the rest of the life according to the school of Claude Lorrain, also refining its technique and its expressive ways with the years that, at the beginning, were clearly academic. Its lighting effects unveil the influence of Corot and were particularly appreciated. This is very evident in his works as "View of a Roman villa."
Bénouville, moreover, took care of the precision and clarity of the details, more than Corot himself. When combined with this, as in the "Capri" painting, a great creative ability and everything is enhanced by a skilful play of contrasts between delicate colors, Bénouville expresses the best of his talent. The best auction price of Jean Achille Bénouville (source Artprice) is: View of the Ponte Nomentano (1852) - € 44,160.00 (Sotheby's, London - 24/06/98).

- Chez Maxim Art Galley -

antique dealer

Massimiliano Moscatelli Terni, Viale G. Oberdan, 6 (Terni - Italy)

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