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Madonna Sedes Sapientiae

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Madonna Sedes Sapientiae
Madonna Sedes Sapientiae-1
Madonna Sedes Sapientiae-2
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Detailed Description

Umbrian sculptor, Early XIVth Century
Madonna Sedes Sapientiae
Polychrome wood, 110 x 31 x 15 cm

The sculpture in question depicts a Madonna with child, of refined sculptural quality, ascribable to an artist active in the Apennine area of ??the ancient Duchy of Spoleto, in the early decades of the XIV century. The most stringent comparison is with the works of the Master of Santa Caterina Gualino, so called for the sculpture of the homonymous Santa, which belonged to the famous Gualino collection; The Madonna di Teramo is also well known, conserved in the Cathedral of the Abruzzi city, while other works can be admired at the National Museum of Abruzzo in L'Aquila and at the National Museum of Scotland in Edinburgh. Like the Master of Santa Caterina, our sculptor is in fact able to renew the local tradition: while remaining the ieratically static frontal pose of the Virgin, the massive Romanesque forms are expertly tempered and leave room for a soft and pure line, which shapes the body and the garments, giving the features a grace and elegance, rarely found in contemporary works. The Madonna, seated on her throne, mother and sedes sapientiae, holds on her knees the Child, to whom she hands a sphere, a symbol of power; Christ, no longer at the center and in perfect frontality as usual in Umbria and in Abruzzo of the XIII century, is softly seated in his lap, revealing the sculptor's attention for the iconographic novelties coming from nearby Tuscany. Also from this last region or, in some cases from the south of the peninsula, echoes of French Gothic culture come, which are reflected in the use of more linear solutions, compared to the Romanic until then dominant. The faces of the mother and the son, with thin lips, sharp noses and wide eyes, express a solemnity and sacredness that attracts the faithful, kidnapped by humanity and the sense of motherhood that the sculptor has succeeded in instilling in the wood. It is therefore a poetic synthesis between tradition and novelty, between a popular devotion and a more refined elegance, which, not by chance, has made statues, like the one under examination, objects of centuries-old devotion and today particularly sought after by collectors.

antique dealer

Ars Antiqua srl Milano, Via Carlo Pisacane, 55 (Milano - Italy)

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